| Eyes Like Yours 60 x 14 x 2.5 Oil & Resin |
This is probably the most difficult body of wT
This is probably the most difficult body of
work that I have ever produced. I don't
suppose any work related to genocide is
anything other than difficult, and yet I was
shocked at the degree that these paintings
affected me, both physically and emotionally,
during their creation. They are all inspired by
individual stories, some that I cannot bring
myself to repeat, some that I have
contemplated since the Rwandan genocide
of 1994. All of them changed me.
Collectively, they brought me to the
realization that the human race does not
polarize into angels and demons, the seeds
for both lie within each of us. The paintings
here represent that dichotomy. They forced a
departure from my habitual view of reality and
became a meditation on unity and division,
life and death, beauty and terror.t I have ever
produced. I don’t suppose any work This is probably the
most difficult body of work that I have ever produced. I
don’t suppose any work related to genocide is anything
other than difficult and yet I was shocked at the degree
these paintings affected me, both physically and
emotionally, during their creation. They are all inspired by
individual stories, some that I cannot bring myself to
repeat, some that I have contemplated since the
Rwandan genocide of 1994. All of them changed
me. Collectively, they brought me to the
realization that the human race does not polarize
into angels and demons; the seeds for both lie
within each of us. The paintings here represent
that dichotomy. They forced a departure from my
habitual view of reality and became a meditation
on unity and division, life and death, beauty and
terror.related to genocide is anything other than
difficult and yet I was shocked at the degree
these paintings affected me, both physically and
emotionally, during their creation. They are all
inspired by individual stories, some that I cannot
bring myself to repeat, some that I have
contemplated since the Rwandan genocide of
1994. All of them changed me. Collectively, they
brought me to the realization that the human race
does not polarize into angels and demons; the
seeds for both lie within each of us. The
paintings here represent that dichotomy. They
forced a departure from my habitual view of
reality and became a meditation on unity and
division, life and death, beauty and terror.
This is probably the most difficult body of
work that I have ever produced. I don't
suppose any work related to genocide is
anything other than difficult, and yet I was
shocked at the degree that these paintings
affected me, both physically and emotionally,
during their creation. They are all inspired by
individual stories, some that I cannot bring
myself to repeat, some that I have
contemplated since the Rwandan genocide
of 1994. All of them changed me.
Collectively, they brought me to the
realization that the human race does not
polarize into angels and demons, the seeds
for both lie within each of us. The paintings
here represent that dichotomy. They forced a
departure from my habitual view of reality and
became a meditation on unity and division,
life and death, beauty and terror.t I have ever
produced. I don’t suppose any work This is probably the
most difficult body of work that I have ever produced. I
don’t suppose any work related to genocide is anything
other than difficult and yet I was shocked at the degree
these paintings affected me, both physically and
emotionally, during their creation. They are all inspired by
individual stories, some that I cannot bring myself to
repeat, some that I have contemplated since the
Rwandan genocide of 1994. All of them changed
me. Collectively, they brought me to the
realization that the human race does not polarize
into angels and demons; the seeds for both lie
within each of us. The paintings here represent
that dichotomy. They forced a departure from my
habitual view of reality and became a meditation
on unity and division, life and death, beauty and
terror.related to genocide is anything other than
difficult and yet I was shocked at the degree
these paintings affected me, both physically and
emotionally, during their creation. They are all
inspired by individual stories, some that I cannot
bring myself to repeat, some that I have
contemplated since the Rwandan genocide of
1994. All of them changed me. Collectively, they
brought me to the realization that the human race
does not polarize into angels and demons; the
seeds for both lie within each of us. The
paintings here represent that dichotomy. They
forced a departure from my habitual view of
reality and became a meditation on unity and
division, life and death, beauty and terror.